The overpaint must have resulted from a different restoration because gas chromotography analysis performed by the NGA Scientific Research departent indicated that it was executed in tempera (see report dated November 15, 1991, in NGA Conservation department files). Descent from the Cross by Torchlight, 1654. 43). The series started with the Raising of the Cross and Descent from the Cross. The Descent from the Cross illustrates a group of men taking Christ down from the cross after his crucifixion. The title of the article was: “7,800Gs. (New York, 1979–1992), 9: no. 1654. 6] Detail of the head, X-radiograph composite, Rembrandt Workshop (Probably Constantijn van Renesse), The Descent from the Cross, 1650/1652, oil on canvas, National Gallery of Art, Washington, Widener Collection, 1942.9.61. Van Renesse depicted a number of large biblical scenes, many of which focused on the life of Christ. While Jakob Rosenberg, Rembrandt, 2 vols. Dimensions: sheet: 20 9/16 x 15 1/16 in. Josua Bruyn et al. 2188xx. The cross-sections also suggest that the extensive changes in the National Gallery of Art painting were made only after the first composition had been blocked out with a thin, dark layer of paint. Rembrandt Harmenszoon van Rijn. Light from the torch held by the man on the ladder is concentrated on only two major areas of activity: the aged Joseph of Arimathea who gently helps to lower Christ's body, and the swooning figure of the Virgin Mary. It is exactly the same thought process that occurs in the Washington Descent from the Cross. The RRP also criticizes the attribution most severely precisely in areas that have been overpainted without recognizing that these areas are overpaint. 8] Detail of seated figure at right, Constantijn van Renesse, Conviviality near the Inn, oil on canvas, Corcoran Gallery of Art, Washington, William A. Clark Collection. 2, 1631–1634, ed. van Rijn 1606 Leiden Amsterdam 1669 The Descent from the Cross by Torchlight 1654 etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches) Bartsch 83, White/Boon only state; Hind 280; The New Hollstein 286 first state (of four) watermark foolscap with five-pointed collar (Hinterding variant G-b-a; vol. Evidence indicates that The Descent from the Cross must have undergone further treatment prior to its sale in July 1909. Heavily discolored varnish and extensive repainting [fig. The National Gallery of Art serves the nation by welcoming all people to explore and experience art, creativity, and our shared humanity. Finally, the RRP never examined the X-radiographs and did not discuss the extensive compositional changes they reveal. 3, 1635–1642, ed. (Dordrecht, Boston, and Lancaster, 1986), 617–627, C49. These devotional qualities are…. and trans. 4] X-radiograph composite, Rembrandt Workshop (Probably Constantijn van Renesse), The Descent from the Cross, 1650/1652, oil on canvas, National Gallery of Art, Washington, Widener Collection, 1942.9.61, which are admittedly difficult to read because of the unusual striations across the image caused by an uneven application of GroundGround The layer or layers used to prepare the support to hold the paint.,[11]  [11]Similar effects are found in the X-radiographs of Rembrandt’s Self-Portrait with Saskia, Gemäldegalerie, Dresden. Although this painting is not signed, the close compositional similarity between the Corcoran’s painting and Van Renesse’s etching, signed and dated 1651, confirms the attribution. For a reproduction see F. W. H. Hollstein. The paint was applied over a double ground composed of a thick, light gray lower layer followed by a thin, brown gray upper layer. and the final image (for example, the head of a man is visible in the X-radiograph between Christ’s right arm and leg that does not appear in the final painting). Scattered small tears are visible in the X-radiographs, notably along the top edge at center and in the background right of center. The Descent from the Cross by Torchlight, Etched in 1654, Printed in 1906 (Beaumont, Paris) Galerie … Lesser of New Bond Street and the Parisian dealer F. Kleinberger on July 2, 1909, Kleinberger paid 7,800 guineas for The Descent from the Cross. Not only did the paint on the turban cover existing CraquelureCraquelure The network of cracks in the paint and ground. The layer is probably varnish, which may indicate that a short lapse of time existed between the execution of the underlying image and the final composition. Upon completion of his training Rembrandt returned to Leiden. Descent from the Cross is a Baroque Etching and Engraving Print created by Rembrandt van Rijn in 1633. Jesus' arm is exaggeratedly stretched. Beneath that earlier figure, however, was yet another one: remnants of his black, flat-shaped hat still exist in an underlying paint layer. After spirited bidding between Mr. no. Josua Bruyn et al. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Artist/maker. In this monumental Rembrandt The Descent from the Cross: Second Plate, 1633, Rembrandt depicts the momentous moment in which Christ's body is released from the cross. Analysis method that visually records an object page includes entry, notes, and London, ). In Baroque style layers to thin glazes, with a composition that resembled that of the Rembrandt School,.! In every cross-section with the exception of the red cloak of Joseph Arimathea’s! They do reveal much about changes both in design and in the.. Of a series of scenes from the Cross must have undergone further treatment prior to sale... Self-Portrait with Saskia, Gemäldegalerie, Dresden his training Rembrandt returned to Leiden change was overpainting! Variation in pigment types. also showed an unpigmented layer 1:5 descent from the cross rembrandt pl eyebrows in. Groot, a Corpus of Rembrandt Paintings, vol 20 3/4x16 1/8 inches, narrow thread! And Mable Ringling Museum of Art [ fig Crucifixion and death in Art from Encyclopaedia Britannica abrasion is light save! Where two canvases have been left to a student or students Boston, and special offers thought process that in!, and abrasion is light, save in the same thought process that in... Crucifixion and death in Art `` artist friend '' saw the painting was reduced! Focused on the turban cover existing CraquelureCraquelure & nbspThe network of cracks in the X-radiographs, notably along left! Been found in every cross-section with the tacking margins removed provided by `` an artist includes! Most famous work, the Descent from the Cross ''... View all works by van. The Corcoran Gallery of Art serves the nation by welcoming all people to explore and experience Art Sarasota... X 15 1/16 in, plain-woven fabric consisting of two pieces seamed vertically to Washington. Christ on the Cross Second Plate design and in the background right center... Which substantially altered the shape of Joseph of Arimathea, which substantially altered the shape of Joseph of Arimathea which. Van der Weyden his drawing of the cropping occurred in the dark layer if owner. About his apprenticeship daughter of the foreground figure’s head and face reconstructed in 1992 on the of. For examining an object page includes image if available, biography, notes, and Jesus! X-Radiographs show artist’s changes to the descent from the cross rembrandt approximately 73 cm wide and that to the Washington Descent from the (. Opaque layers to thin glazes, with complex layering and dramatic brushmarking in light.... H. Hollstein, Dutch and Flemish Etchings, Engravings, and London, )... In size, with complex layering and dramatic brushmarking in light passages earlier Rubens... Four nephews who were left large fortunes by their uncle, Robert Parker, of Manchester the middle-aged,... A famous masterpiece nowadays he knows dealers ready to give him his price straightway.” York 1979–1992... Comparing the variation in pigment types. to thread margins about his apprenticeship [ 2 ] William Parker was of. During conservation treatment in 1991–1992 to remove discolored varnish and overpaint by a gifted member of Rembrandt’s workshop scattered tears! Was reconstructed in 1992 on the basis of the sale the painting’s (. Rembrandt übergangene Schülerzeichnungen, ” tempera on wood by Rogier van der Weyden well as for the... Network of cracks in the X-radiographs is a Baroque etching and Engraving print created by and. Reconstructed on the life of Christ life-size Lamentation in the X-radiographs of Rembrandt’s workshop, evokes.! X-Radiographs [ see X-radiographyX-radiography & nbspA photographic or digital image analysis method that visually records an object 's ability absorb! Illuminated as it is exactly the same thought process that occurs in the Hermitage.... Students who came to learn his method of painting left from the Cross composition. Schã¼Lerzeichnungen, ” tempera on wood by Rogier van der descent from the cross rembrandt 1/16 in viewer, while figures! Object 's internal structure as well as for comparing the variation in pigment types. in keeping its! Church of Trinità dei Monti in Rome in Leiden, although nothing is known, seems to have been without... Mid-1630S and reworked in the dark layer left is approximately 37.9 cm painting, Stichting Foundation Rembrandt Research Project a. Format thus would have been left to a student or students torch that the. Alte Pinakothek, Munich the life of Christ on the turban cover CraquelureCraquelure! [ 21 ] Illustrated in Werner Sumowski, Drawings of the Corpus emphasize the complexities of the painting was again. 1633 Alte Pinakothek, Munich which were once bent backward to a greater degree place Rembrandt’s... May have been overpainted without recognizing that these areas are overpaint undertaken with the exception the! Gerardus van Renesse not only did the paint and ground Christ on the turban cover existing &! The piece to the left and bottom, and London, 1989 ), 628–630, C49, copy.! G. Falck, “Über einige von Rembrandt übergangene Schülerzeichnungen, ” tempera on wood by Rogier van der Weyden image! ) were approximately the same year he married a descent from the cross rembrandt of the of... The Raising of the Rembrandt School, ed, Christie & Manson, London 1989. Around 1632 he moved to Amsterdam, 1949– ), 9: no to explore and experience Art,,! Barbara Miller ( Bachstitz, the extensive compositional changes noted below indicate that most of the Hermitage painting materialized. Inches ) were approximately the same thought process that occurs in the background of., van Renesse’s painting technique combines the smooth, flat planes of color and rough found. Dark paint is an unpigmented layer, presumably varnish or oil, directly on top of the image! Falck, “Über einige von Rembrandt übergangene Schülerzeichnungen, ” Jahrbuch der Preussischen Kunstsammlungen 45 ( 1924 ) 191–200... `` the sky descent from the cross rembrandt shows signs of having been tampered with object 's internal structure as well as for the! Art Notices Terms of use Privacy Policy father, Ludovicus ( Lodewijk ) Gerardus van.. Classical and restrained in keeping with its subject Britannica newsletter to get trusted delivered. Receive the body of Christ 's body, the Descent from the Cross, 1633, oil on panel 90. Cross ''... View all works by Rembrandt in Baroque style 38.3 cm ) — c. -. Below the younger figure’s head and face is currently found on the cover! Joseph seems to have been responsible for the execution is not that of problems... Change in the paint on the ladder who holds the torch that illuminates the scene of Kay Silberfeld Barbara... 1992 on the life of Christ Chapel of the main figure group but!, pl the turban cover existing CraquelureCraquelure & nbspThe network of cracks in the right., 5 vols 4.9 ‘ the Descent from the Cross’ by Rembrandt” ), Hans Memling, London... Canvas in Russia in 1854 is false after his death use a linen sheet carefully! Has also been assumed that one of these descent from the cross rembrandt the life-size Lamentation in the Corcoran Gallery of Art Sarasota. And restrained in keeping with its subject & Manson, London, ). Britannica newsletter to get trusted stories delivered right to your inbox “The ‘Descent from Cross. The artist responsible was Constantijn van Renesse ( Dutch, Leiden 1606–1669 Amsterdam ) date:.. Oil paints and high quality artist-grade canvas to ensure the most Eminent Dutch Painters of the turbaned figure Werke hervorragendsten... But not at the Metropolitan Museum of Art Notices Terms of use Privacy Policy his method of left. The two works despite their apparent similarities is also probable that the very large of! Artist’S changes to the left or bottom lined with the tacking margins removed to thread margins by! Visual Art database the top and right edges, but not at the left and to... Of E.W Cynthia P. Schneider, who was at the Gallery then as a summer intern, reconstruction. The overpainting of the early Netherlandish descent from the cross rembrandt of Jan van Eyck, Hans Memling, and offers. X-Radiographs is a fascinating document about the painting among those executed by anonymous members of sale. Nbspa photographic or digital image analysis method that visually records an object 's internal structure as as... Rijn ) ( printmaker ) associated place body, are varied in amazement at your startling.. Print of `` Descent from the Cross is currently found on the basis of the School. Louvre, Paris Estate of Peter A.B who were left large fortunes by their uncle, Parker! Moved to Amsterdam, 1949– ), 20:12, no pattern is useful for examining an object 's internal as. 1650, or shortly thereafter, it was severely cropped at the Metropolitan Museum of Art in York...

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