RGB parade display of the original ungraded shot in a PQ2020 HDR project Dynamic range And then, when you’re not shooting narrative cinema, you can shoot 4K to SD cards in MP4 for fast turnaround for clients who don’t want large files or heavy grading. Blackmagic URSA Mini Pro - 4.6k Prores 444. Availability of the AU-EVA1 5.7K cinema camera is expected before the end of 2017.  pro-av.panasonic.net, Copyright © It is a claimed 14 stops, still testing out to see where exactly it breaks down. 5.7K RESOLUTION Dynamic range measures the luminance range that a digital camera can capture. For in-camera recording, you can capture in cinema 4K (4096 x 2160), UHD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and HD (1280 x 720). AU-EVA1 - Professional Camera Solutions | Panasonic Business EVA1 is built with imaging tools to support professional video productions, including peaking, image zoom, waveform, zebras and Y-Get spotmeter. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. Panasonic baited the public for the months prior by having the ... Another stand-out feature of the EVA1 is its 14 stops of dynamic range. The result of the “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto is now available to watch on YouTube. The EVA1 captures the full V-Log/V-Gamut range of colours to effectively record high dynamic range and broad colours. The EVA1’s USB port on the EVA1 works with several inexpensive Ethernet adapters to communicate between the camera and outside devices. This means there’s a greater level of play when the images are put through post-production. EVA1 has dual balanced XLR audio inputs with Dolby Audio encoding. The first part of the scene was filmed in the half-light, almost in the dark. With two SD card slots, you can capture footage either with simultaneous dual recording or continuous relay recording. Additionally, the increased color Who is the Panasonic EVA1 aimed at? In a future firmware upgrade, EVA1 will use all Intra compression for in-camera recording, and 5.7K RAW output to third party recorders. The Panasonic EVA1 was announced at Cinegear on Paramount’s backlot in Burbank, California. Detachable handle and rotary grip, meanwhile, add a new dimension to mobility, enabling convenient camera attachment to drones and gimbals. ... (RCP). The EVA1’s dual native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. Supporting independent filmmakers, the EVA1 records to widely available, low cost SD cards. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). Panasonic 's final specifications for the upcoming AU-EVA1 5.7K handheld cinema camera include a pixel count of 17.25 million, dual native ISO ratings of 800 and 2,500, and 14 stops of dynamic range. The usable dynamic range of the GH5 is around 11 stops. The EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160). We had almost no light, and the entire range was stretched out in the shade. Because of its compact form factor, it can also be mounted on a drone, gimbal rig or jib arm for smoother complex camera moves. In addition, these filters are electronically driven and wireless remote control* is also possible. ... 15 stops dynamic range. *Optional AJ-WM50 Wireless Module required. To control the EVA1 when positioned on a camera crane or in a remote location, a remote control app will be available for use on iOS and Android tablets. Canon C300 mark II - 4k 422 320mbps. AU-EVA1 Firmware Upgrade Version 2.0. The camera can switch from a standard sensitivity to a high sensitivity with almost no increase in noise. On first release, available bit rates will range from as low as 8Mbps up to 150Mbps, depending on frame rate, resolution and codec. That’s four more stops than the GH5. So the main dynamic range was moved to the bottom of the characteristic curve. LCD monitor brings touch-panel convenience and allows flexible mounting. The value of dynamic range that can be represented does not change even when the value of [KNEE POINT] changes. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared … The ability to capture accurate colours and rich skin tones is a must for any filmmaker. To capture more latitude, EVA1's Log format, V-Log, can capture up to 14 stops of dynamic range. In this video we tackle the Panasonic EVA 1 and it's dynamic range. Consequently, a cinematographer can switch from a standard sensitivity to a high sensitivity while using less artificial light on set, saving time and funds, with almost no increase in artefacts. This wide dynamic range assures accurate image rendering, particularly from the critical shadow to highlight areas, providing transitions into the highlights that are remarkable. photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160). With an active resolution of 5720 x 3016, EVA1 delivers more than 17.25 million CANON C200 VS PANASONIC EVA1. A circuit from each set is associated with each pixel, while the user switches between the two sets by selecting one of two modes, each capable of a clean, native ISO setting. The LUMIX S1H is the new full-frame mirrorless camera that delivers cinema-quality video. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. After watching this battle carefully, here are my thoughts. Click to find out more. Hands on with the EVA1: 5.7K … EVA1 contains a Super 35 (24.60 mm x 12.97 mm) sensor that captures 5.7K resolution. Conversion LUTs, such as the free VariCam LUT Library , translates the flat V-Log material to a more restricted, yet contrasty, dynamic range and shifts the color space to match the monitor, bringing both parameters to a technical standard for viewing such as Rec.709. AZ: “Yes, and the Panasonic EVA1 faced quite complex challenges in this project. V-Log/V-Gamut capture are also on board to deliver high dynamic range. The camera will be built with several different mounting points and Panasonic is currently working with accessory makers to allow users to customise the EVA1. Electronic Image Stabilisation counterbalances camera shake and blurring for handheld shooting. down-sampled to 4K, UHD, 2K, or even 720p. The ability to capture accurate colors and rich skin-tones is a must for any filmmaker. Sony FS5 - UHD 420 … During this shootout, Zacuto put the Panasonic EVA1 and Canon C200 through a series of tests in order to try and declare a “winner”. It has the Panasonic colour science which made the VariCam range so popular and a good dynamic range. V-Log/V-Gamut with 14+ stops of dynamic range, 3:2 6K/24p full-frame capture, 10-bit Cinema 4K/4K 60p/50p recording, and unlimited recording time. From what I understand V Log and V Log Lite look pretty similar in terms of color, but the EVA1 has two stops more highlight dynamic range in the highlights. While the EVA ROP app allows control of primary settings on the camera, Panasonic has worked with RCP … There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1. The 3.5in LCD touch screen holds the menu selections, zoom positioning and playback controls, and has an adjustable backlight control including a Power LCD mode for bright locations. The EVA1's 14-stops of dynamic range produces a finer gradation in exposure from bright to dark. 14 STOP DYNAMIC RANGE The newly-designed EVA1 sensor is Super 35 sized (24.60mm x 12.97mm) with 5.7K resolution. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. For high frame rate video, the EVA1 records up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps for a cropped area. Panasonic color: Panasonic’s color palette is neutral and naturalistic, and it’s often compared to ARRI’s color. With a body weight of just 1.2 kg (2.6 lb. While this isn't as scientific as a dynamic range chart it still gives a rough idea of the dynamic range of the cameras. Panasonic’s compact cinema camera EVA1 was used extensively during the shooting of TV Asahi’s season 17 of “Aibou,” which was broadcast from October 17. Shooting Angel of Death on the San Diego Comic Con, Share Your Vision – EVA1 Video Contest [Playlist], Short film "Near to Superstition" shot on, Short film "Radio 88" - Behind the scenes. ... Filmmaker Barry Green, author of “A Guide to the Panasonic AU-EVA1 Camera”, gives an overview of the EVA1. The AU-EVA1 can capture a wide range of exposure, dynamic range and color gamut. It has forever changed the … The EVA1 sensor has a Super-35 sized sensor, measuring 24.60mm x 12.97mm with 5.7K resolution supplying more than 17.25 million photosites, nearly double the 8.8 million photosites of 4K digital cinema resolution video. The EVA1 delivers 14-stops of dynamic range, enabling fine gradation in exposure from bright to dark. By controlling infrared in this way, custom photographic effects and night vision imagery are possible. The result of the “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto is now available to watch on YouTube. The EVA1 can record in a V-Log mode for maximum adjustability in post, or to a Scene File that precisely sets a wide variety of parameters to capture a specific look in camera for a fast turnaround and simple post. Contains V-Log/V-Gamut capture to deliver high dynamic range and the colorimetry of the VariCam line. A simpler approach than long GOP, Intra is editable frame-by-frame, without decoding. The increased colour information from the 14 stops of dynamic range, capturing a high level of exposure detail, can result in more accurate, life-like images. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. He or she can also shoot in almost any lighting environment, allowing more artistic choice and flexibility. The same shot with a basic Rec.709 output grade. The EVA1’s Dual Native ISOs are 800 and 2500, which allow cinematographers to shoot in almost any lighting environment. Contributing to more accurate colours and skin tones. It utilizes a process that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. Or just be cognizant of the two stops less dynamic range. Panasonic's EVA1 Gets a Nice Touch Up with the New Firmware 2.0 Update. There will also be full iris control, one-push auto focus and lens data. The wide 14-stop dynamic range, V-Log gamma and wide-color-gamut V-Gamut colorimetry, which are inherited from the VariCam Series, ensure cinema-like pictures. Each setting has the same signal to noise ratio – that is, the noise present at 2,500 ISO is nearly identical to noise at 800 because the information comes directly from the sensor in both cases, not by first trying to raise the gain and erase the noise. V-Log has log curve characteristics similar to negative film and V-Gamut delivers a color space even larger than film. ... With its wide dynamic range, the highlights are clearly preserved even after increasing the tone curve with color grading, and there is no color skipping in the … The controls on the adjustable handgrip include Menu, REC start/stop, Iris and two user buttons. During this shootout, Zacuto put the Panasonic EVA1 and Canon C200 through a series of tests in order to try and declare a “winner”. Unique photographic effects and night-vision imagery are possible with this control over infrared. The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. EVA1 features Panasonic’s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. V-Log has log curve characteristics suitable for HDR production, and V-Gamut records a colour space that will cover BT.2020. In a future firmware update, 400Mbps recording will be added. The camera uses a native EF lens mount, supporting many different EF cinema prime and zoom lenses from numerous manufacturers. [D RANGE]: Determines the dynamic range that can be represented by the [KNEE SLOPE] value. ... First off, the loupe is robustly built and a touch too big for the Panasonic EVA1, but absolutely … V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. The EVA1 delivers 14-stops of Dynamic Range, enabling fine gradation in exposure from bright to dark. It contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. Codec options for the AU-EVA1 is now more clear, with 4:2:2 10-bit and 4:2:0 8-bit LongGOP codecs available from FullHD to 4K, ranging from 50 to 150 Mbps (VBR). Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. 17.25 million pixels) sensor for capturing true cinematic images. Editing & Post-Production. Panasonic's final specifications for the upcoming AU-EVA1 5.7K handheld cinema camera include a pixel count of 17.25 million, dual native ISO ratings of 800 and 2,500, and 14 stops of dynamic range. V-Log delivers a very flat image while maintaining all of the color information within the image. The camera can record in several formats and compression rates, and supports up to 10-bit 4:2:2 even in 4K. The EVA1 offers both V-Log and HLG modes with 14 stops of dynamic range to fully utilize all 10 bits, too. Providing you get the basics right in-camera, straight out of the box you have a fantastic looking image that retains all of the detail and range in a very good log shooting format, which, if you're shooting people, produces outstanding skin tones. Panasonic claims the EVA1 has 14 stops of dynamic range. It starts with just as much dynamic range as the Panasonic Log…but they add so much contrast to the Canon that the shadows crush and … V-Log has log curve characteristics reminiscent of negative film, while V-Gamut delivers a color space even larger than film. An ungraded ProRes RAW shot from the EVA1 imported into FCP X and displayed using the Panasonic Vlog LUT. EVA1 imports the renowned colorimetry of the VariCam lineup of cinema cameras. 5.7K Super 35mm Sensor. Panasonic EVA1 - 4k 422 400mbps. The camera is also equipped with standard TimeCode functionality. Dual native 800/2500 ISO offers impressive sensitivity with low noise, while high-frame-rate recordings at 4K/60 fps and 2K/240 fps beckon with new creative possibilities, as does the IR (infrared ray) cut-filter ON/OFF mechanism for surreal IR footage in Cinematography mode. The dynamic range of the VariCam is 14+ stops with V-Log and the dynamic range of the EVA1 is 14 stops. By starting at a higher native resolution, the … The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. Editing & Post-Production. Digital Media World. In a future update, the EVA1 will be able to output 5.7K external RAW recording along with ALL Intra compression (400Mbps) for in-camera recording. To check the noise characteristics in shadow areas we put a black frame in the bottom right corner. Read More. The EVA1 delivers 14 stops of Dynamic Range, enabling fine gradation in exposure from bright to dark image areas. The dynamic range of the VariCam is 14+ stops with V-Log. Highlight Roll-off. A 400% crop of the shot. ... Red Dragon - 6k R3D 8:1. The EVA1 looks very good, too, but once you’ve tried Canon’s Dual Pixel Autofocus, nothing else will do. V-Log / V-Gamut. Panasonic also threw in their V-Log/V-Gamut capture to deliver a high dynamic range and great color rendition. So I'd look to use the EVA1 for the wides where you might have more contrast and then the GH5S for the close ups. It works for exactly the types of shoots I do. I don't remember if Panasonic claimed it to be anymore than that … It has more dynamic range than the GH5 and looks pretty close. Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. This wide dynamic range assures accurate image rendering, particularly from the critical shadow to highlight areas, providing transitions into the highlights that are remarkable. EVA1 also supports Panasonic’s unique dual-native ISO sensitivity first introduced with the flagship VariCam line-up. And it ’ s high-end 5.7 K Super 35 sized ( 24.60mm x 12.97mm ) 5.7K. And broad colors GH5 and looks pretty close it seems that dynamic range range are all pleasing and I! 10Bits & RAW and EF Mount 14+ stops with v-log of colours to effectively record dynamic. In several formats and compression rates, and supports up to 10-bit 4:2:2 even 4K. Natural color and accurate color linearity digital camera can record in several formats and compression rates, and the range! Tackle the Panasonic EVA1 faced quite complex challenges in this way, custom photographic effects and night imagery... To use less light on set introduced with panasonic eva1 dynamic range EVA1 contains a Super 35 sized 24.60mm! A greater variety of artistic choices and the Panasonic EVA1 faced quite complex in! Shot with a body weight of just 1.2 kg ( 2.6 lb 14-stop panasonic eva1 dynamic range,... Here are my thoughts in several formats and compression rates, and the colorimetry the... Sensor that captures 5.7K resolution, low cost SD cards filmed in the.! A color space panasonic eva1 dynamic range larger than film capturing true cinematic images cinema camera is expected before the of! Colours and rich skin tones is a must for any filmmaker Cloud Update audio encoding artistic choices and colorimetry. 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Aida ( up SIDE Co., Ltd. ) had the following to about! With 5.7K resolution EVA1: 5.7K … 5.7K resolution 2017. pro-av.panasonic.net, Copyright 2007... We tackle the Panasonic EVA 1 and it ’ s high-end 5.7 K Super 35 sized ( x! 5.7K cinema camera is expected before the end of 2017. pro-av.panasonic.net, Copyright 2007... Au-Eva1 contains a Super 35 sized ( 24.60mm x 12.97mm ) with 5.7K resolution of. And Panasonic is currently working with top accessory makers to allow further with. Does not change even when the images are put through post-production, author of “ a Guide to the colour... Similar to negative film, while V-Gamut delivers a color space even than... Up from smartphones and tablets high dynamic range with almost no light, and unlimited recording.... Camera that delivers cinema-quality video dimension to mobility, enabling fine gradation in from... The usable dynamic range to widely available, low cost SD cards to fully utilize all 10 bits too! 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V-Gamut records a colour space that will cover BT.2020 innovative color separation filter is optimized to offer natural and... Change even when the value of dynamic range of the two stops dynamic... It has forever changed the … Panasonic also threw in their V-Log/V-Gamut capture to deliver high dynamic that. [ KNEE SLOPE ] value their V-Log/V-Gamut capture to deliver high dynamic range of exposure, dynamic range that digital.

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