The EOS C300 Mark II Digital Cinema Camera is an evolutionary 2nd generation Cinema EOS 4K camera system with a wide range of new and improved features including 4K/2K/Full HD internal and external recording (including 4K RAW output) and a new 10-bit Canon Log 2 Gamma. The camera shoots up to 50/60p in normal mode (contrast to slow motion mode where the camera conforms higher framerates to your working framerate) and Dual Pixel AF works in this mode. In addition to its sensor and processors, the EOS C300 Mark II camera also incorporates a trio of XF-AVC H.264 codecs that enable in-camera 4K (DCI) recording to dual CFast card slots and 2K/Full HD recording to an SD card slot. no menu information on the sensor output. Having only had two cameras with me for a few days (most of which was spent on the job/in transit) I haven’t spent anywhere near the amount of time it would take to cast a full review worthy opinion. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. Monitoring via SDI terminal port acn be 2K when recording 4K or HD and can output differen LUTs for on-set grading. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". EF Lens Mount. There are 4 LUTs installed on the camera: BT.709, BT.2020, DCI and ACESproxy10. Buy Canon EOS C300 Mark III Digital Cinema Camera Body (EF Lens Mount) featuring Super 35mm Dual Gain Output (DGO) Sensor, 4K 120p, 2K Crop 180p HDR, Cinema RAW Light and XF-AVC H.264 Codec, EF Lens Mount, DIG!C DV7 Image Processor, Dual Pixel CMOS AF and Face Detection, LM-V2 4.3" LCD Touchscreen Monitor, 12G-SDI and 4-Channel Audio Recording, 2 x CFexpress Slots, … Output options for peaking, same for zebras and WFM. Operability improvements of the Canon EOS C300 Mark II Digital Cinema Camera that further facilitate operation and creative freedom include full manual control, an Ultra-High Resolution 1.77 Megapixel color OLED EVF with adjustable 60 tilting angle, a built in internal mono reference microphone, a removable hand grip, an improved camera handle extension with additional attachment points, and a removable LCD Monitor and control panel with XLR inputs. It’s a bi-product of the intuitive Dual Pixel AF system. The EOS C300 Mark II features a new 8.85 Megapixel Super 35mm Cinema CMOS Sensor, new Dual DIGIC DV 5 Processors and a new Canon XF-AVC Codec that allows 10-bit 4:2:2 4K image data to be recorded internally, and an expanded dynamic range of up to 15 stops. Perimeter Viewing Mode Impacts Other Outputs. 0000033563 00000 n 0000161849 00000 n The camera received a few price drops as well – today, a new C300 Mark II sells for $8.999. 12G/3G-SDI & HDMI Output; Price: $10,998; The biggest difference between the Canon C300 Mark III and the Sony FX9 is the sensor size. You can see a slight dip in quality on the 100p frame at 400%, and technically it should be sharper at 100mm compared to 200mm. On set I can often find myself referring to bigger/better monitors for the most part of operation (compared to camera screen), which can often be shared by an output recording and/or viewed by other crew members and/or the client. Output 12G 4K video from a single SDI Cable. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. This means if you want OSDs on SDI 1 (or Monitor Out) they’re on the HDMI feed also. OK, so lets give this feature a little more credit than a passing comment at the end of a paragraph. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. © 2020 All rights reserved. Lets start this off by first saying this is not an official review. If the outside of the Canon C300 Mark III looks both different and familiar, there’s a reason why: it uses the exact same body as Canon’s C500 Mark II camera. You can’t move it, only turn it off. The lack of 4K 60p is a big blow for me (like many), the price is also another big factor, but keeping this article on track here’s some specific quirks I found that I wasn’t immediately expecting. Satisfying the diverse expressive techniques required in the creation of … Unlike the C300 mark II the FS7 can … Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. ISO 800, C log 2. ... Video: Color reproduction equivalent to C300/500 CP-OFF (for commercial cameras) HDR-HLG Profile. And like many, I’ve been trying to justify where the over 100% increase in cost comes with the Canon. It doesn’t have the XLR ports or audio controls of the clamshell. 2 x CFast Card Slots. The new camera will share some things with the Cinema EOS C300 Mark III. The EOS C100 Mark II uses the same Super 35mm Canon CMOS sensor as its big brother, the C300, but uses a Digic DV 4 processor. The Movi seems to take the weight just fine, balancing and tuning took little effort. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. Speaking generally about the camera I am a big fan of the ergonomics, like previous EOS cameras it sits well in the hand (despite being a little on the heavier side). I’ve been looking for an in-house camera to replace my Canon C100 mark I for a while. There are of course work arounds; use LUTs as they were originally intended and shoot with a single and correct picture profile to start with, and/or loop out of a monitor that supports custom LUTs.

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