Miró considered his oil painting to be among the most significant works of his life. It is a kind of inventory of a suburban house that belonged to his family in Mont-Roig Del Camp. The most famous painting of Miro, Farm, shows a Catalan country house. Miró told a journalist in 1928, ‘The Farm was a résumé of my entire life in the country.’ It shows the outbuildings at Mont-roig, with domestic animals, crops and equipment. In 1918, Joan Miro was set up for his first solo exhibit at the Dalmau Galleries in Barcelona. / 1921-22. The creation, completed in 1922, depicts his family farm in a realistic manner. Inscription lower left: Miro. A dramatically tilted picture plane presents the viewer with a glimpse of a busy Spanish masia or "family farm." Miró had no intention of merely portraying a typical Catalan farm. Elements from The Farm continued to appear in his work, however, and the intensity of vision found in this painting remained a standard for all of his later art. Elements from The Farm continued to appear in his work, however, and the intensity of vision found in this painting remained a standard for all of his later art. Miro didn’t want to sell it, it was too important to him. I wanted to put everything I loved about the country into that canvas-from a huge tree to a tiny snail." Everything that’s in the painting was actually there. It is a kind of inventory of the masia (traditional Catalan farmhouse) owned by his family since 1911 in the town of Mont-roig del Camp. La Masia by Joan Miro La Masia – picture of Joan Miró, written between the summer of 1921, held in Mont-Roig Del Camp, and in the winter of 1922, held in Paris. I only eliminated the fencing on the front of the chicken coop because it kept you from seeing the animals. The Farm by Spanish artist Joan Miró is a priceless masterpiece. But they also contain ideas of freedom which, in Franco's Spain, were very dear to the Catalan painter. Learning that his family had to implement two water collection devices, students will collect and investigate the amount of rainfall in their region to design a sketch proposal for how to best collect rainwater for their local farms. The Farm. Daily Artwork — “The Farm, 1921” Use the images posted in this feature for writing prompts, warm-up activities, drawing templates or as part of an artwork critique. The Farm, 1922 by Joan Miro Courtesy of www.Joan-Miro.net One of the threads running through Miro's work is his sense of something almost supernatural in the land, from which he felt he derived his vital energy in the same way that a tree does through its roots. The teaming life of Miró's farm presses forward and nearly tumbles onto our laps. Miró said of The Farm: The painting was absolutely realistic. Cubism and Primitivism styles. 1921 — The Farm. The dog barks at the moon in a way seen in a later painting. For him, these ancient homesteads were deeply imbedded in the natural order. We know Miró's paintings for their joyful celebration of life and colour. Miró says that the painting is a realistic depiction. The Farm was bought by Hemingway (who was an art collector) but not without problems. Students will be introduced to farming in an arid climate through art-based inquiry of Miró’s The Farm. National Gallery of Art, Washington, DC, USA. Joan Miró (1893-1983). In 1919 Miró made his first trip to Paris, France, and thereafter he spent the winters in Paris and the summers in Montroig. Miró explained, "The Farm was a résumé of my entire life in the country.I wanted to put everything I loved about the country into that canvas - from a huge tree to a tiny snail." Miró’s great achievement is to make this detail succinct and absolutely clear. The author himself believes that this work is the key to his career, describing the starting point in his own art. A dramatically tilted picture plane presents a view of the artist's masia or "family farm," thronging with animals, farm implements, plants, and evidence of human activity. The Farm is an oil painting made by Joan Miró between the summer of 1921 in Mont-roig del Camp and winter 1922 in Paris. His first one-man show in Paris was held in 1921 … Oil on Canvas. I didn’t invent anything. Miró wrote of this work, "The Farm was a résumé of my entire life in the country. By the mid-1920s, Miró had abandoned the realist manner of The Farm and had created a surrealist style of automatism and abstraction.

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